Tuesday, November 25, 2014

How a Child May do Good: Britney Gomez, "The Expected Child vs The Reality Child of 1849"

Britney Gomez
Dr. Coronado
English 226
22 November 2014
The Expected Child vs The Reality Child of 1849
            The expectations of children have continually changed throughout time. A large part of the expectations of current society on children is to receive an education. However, Philadelphia in 1849 had a different view of the expectations of children. Hubert Lee wrote How a Child May do Good and within this text a young ten year old boy, Hubert, follows a path of religion and spiritual guidance. On his path he encounters many obstacles that push the limits of a young boy. Hubert often thinks about how the word of God can be implemented within his life and what sacrifices he could make to bring him spiritually closer to God. Unfortunately, the life of most children in Philadelphia during this time did not have the same luxuries as Hubert. Instead, children were working long hard days in spite of the new child labor laws that were to restrict the amount of hours a child could work. This is in direct conflict with How a Child May do Good because the life of Hubert was unattainable for most children during that time period. The text references that a child living a life of God would feel more rewarded than if they were to obtaining any material possession. Many young children were forced to work every day and waste away youth and any hope of an education. Hubert Lee’s book published by the American Sunday School Union illustrated what the lives of children should be rather than the life that was forced upon them.
            How a Child May do Good should be added to the Great Lakes Canon because the fictional lifestyle of the young character is directed towards the young children of Philadelphia in 1849. However, most children were unable to sustain a way a life similar to Hubert because of the amount of time they worked which also hindered their ability to read and write. According to the Pennsylvania Historical and Museum Commission “40 percent of the eleven hundred workers employed in some thirty nine textile firms were children” (Wolensky and Rich Para. 2). This astronomical number depicts the life of children not only in Philadelphia but in Pennsylvania. Thus, Pennsylvania enacted a new law restricting the number of hours a child could work. It stated to limit “children to ten hours of work per day and sixty per week. Children under twelve were also prohibited from working in textile factories, while those under sixteen were permitted to work provided that they attended school for three months each year. But the law was poorly enforced” (Para. 7). This meant that regardless of the child’s age, usually aged eight or above, they worked more than what current society deems as full time and did not attend school. Also, the work they performed was dangerous and for little pay.
Unfortunately, families in Philadelphia needed the income from their children in order to help support their families. During this time children “worked eleven or twelve hours per day, six days a week, earning a weekly wage of one dollar” (Para. 3). Many children worked from dawn until dusk and were so exhausted they would collapse at night. The jobs that they performed ranged from running errands to textile manufacturing, which was done for little pay. According to Measuring Worth the one dollar income pay of a child is only worth $31.40 in 2013. That is the equivalent of working for fifty two cents an hour. The most concerning is that this small amount of money was needed by the family to survive. The life of the children in Philadelphia was to work so the money could help support the family which is contradicted within How a Child May do Good.        
            During the story Hubert has been working on spiritual enlightenment which has led him to a path that most children in 1849 could not have imagined. Hubert, with the help of his mother, spent his money and money borrowed from his mother on a new shawl for old Sally. This money was given to him by his father to purchase a new sled. Instead Hubert felt it necessary to help others in need because of the scriptures he was learning in Sunday School. This depiction of Hubert and his family spending money on items that were not essential to everyday living is in direct conflict with the life of children in Philadelphia during this time. Also, the amount of time that Hubert has to help others on his path to enlightenment is vast in comparison to the amount of “free” time a working child had.
One of Hubert’s first act of kindness was to an elderly woman whom he usually passed by without a second thought. Her ability to maintain her property and herself had become apparently clear that she was struggling:
Old Sally was just opening her door, with her old stump of a broom to sweep off the snow. She looked very cold and blue, and trembled more than ever, for the morning was extremely cold. Hubert ran up to her, and with a face beaming with good-nature said: - ‘You are too cold and too old to shovel snow. I am young – let me do it for you.’ (Lee 5)
Hubert’s act of kindness came from the advice that his mother had given him which was to try and help one person a day. These acts of kindness reflect the teachings of God which he was learning in Sunday School. With every act of kindness Hubert’s spirit becomes uplifted. He continues to search for others to help which interferes with him playing with other children. As a ten year old boy he finds his self at a point where fights with what he is doing and things his wants to do. Unfortunately, this was not the same mental struggles many children encountered. Instead the children did not have the opportunity to attend Sunday School, help neighbors or play with other children because their life was structured around their ability to work.
            During Hubert’s endeavor on allowing God into his life, Hubert finds that many children are antagonizing him because he has chosen not to play outside with them. Instead he stays home to play with his little sister Effie. Hubert stated “My sister has no one to play with but me, and I think once in a while I might give one afternoon to her amusement. She is sick, too, and cannot go out and play like other children, and it would be cruel in me always to leave her alone” (Lee 20). This passage depicts Hubert as having the ability to choose whether to play outside with his friends or play inside with his sister. Again this depiction was not relatable for children in Philadelphia during 1849. Children did not have to opportunities to play with other children or even to play with other members of their family. Children were working long, hard, full days and did not have the time or the energy to play with others.
            In comparison to the life Hubert has in How a child May do Good, the children of Philadelphia in 1849 had a life that many adults in current society could not imagine. Their young lives were enveloped by the overwhelming need for them to work. Their days would start before dawn and end after dusk. The children would be so “exhausted at the end of the work day, some [children] slept in doorways and alleys near the mills” (qtd. in Wolensky and Rich Para. 2). Their life was in direct conflict with the life they were expected to live based on How a Child May do Good, where the depiction of Hubert’s life has been surrounded by the word of God which has led him on a journey to spiritual enlightenment. He encounters many individuals throughout the story which he offers help to including his sister Effie. During this new path he continues to have doubt about surrendering what possessions or relations he wants and how to show God that he is listening to his words and living them every day.

How a Child May do Good shows a young boy on his own spiritual enlightenment and the acts he performs to obtain it. As Hubert continues down his path the lessons he encounters become more elevated. This is surprising because he is a child of only ten years of age and he is choosing to take a path less travelled by his peers. Hubert is continually ridiculed by friends and other Sunday School children for the decisions he has made to follow the preachings of their teacher and the word of God. He is able to show to his peers that his actions far exceed the reading lessons of church and Sunday school. His determination for enlightenment reaches far beyond his age and with this he becomes a young boy that is highly respected by others within his community. However, the life of Hubert does not depict the actual society in Philadelphia where young children surrendered their youth so they could help financially support their families. Since the children worked six days a week and often ten to twelve hours a day their ability to read and write was severely diminished. However, the American Sunday School in Philadelphia published How a Child May do Good even though the percentage of child workers was high and most child workers could not read. Thus the reality of the children in 1849 was not the depiction or actions of Hubert but the physical hard labor of many adults.



Works Cited
Lee, Hubert. How a Child May do Good. Philadelphia. American Sunday School Union, 1849. Print. 
Hubert Lee: How a Child May do Good
Samuel H. Williamson, "Seven Ways to Compute the Relative Value of a U.S. Dollar Amount, 1774 to present," MeasuringWorth, 2014.
Wolensky, Kenneth C. and Judith Rich, "Child Labor in Pennsylvania" Historic Pennsylvania Leaflet No. 43 Harrisburg: Pennsylvania Historical and Museum Commission, 1998. Web. 21 Nov. 2014.

                                                                                

Robin Steadman - Papers, 1850-1858

Archive Assignment
ENGL 226

“Papers, 1850-1858”
            Throughout history there have been stories that have been told/retold on just about every topic that a person could possibly think. With that said, for one reason or another I haven’t been aware of these stories or collections of the first person accounts of what life was like in the years surrounding the Civil War. That is especially true for African-Americans that were forced to deal with a changing nation and all of the troubling times wherever they happened to be living. These types of stories and journals could really give an insight into what life was like during this time of transition. It could also show the real struggle that they faced on a daily basis. This is the type of literature that could help people to see what it was really like and truly put in perspective the challenges faced during these tremulous times in comparison to their much more abundant lives today.
            When doing a little digging, there is a collection of writings that come from one family, the Shepard family. The name of this collection is simply “Papers, 1850-1858.” This collection contains a variety of things but mostly consists of letters between family members. There is one piece that seems to be of value, the “History of the Negro Pioneer Settlers of Grant County” written by Charles Shepard. Shepard, a freed slave, was one of the first African-American settlers in the state of Wisconsin, and was brought here along with his family by their former owner when they moved from Virginia. In this account it discusses how the first African-American settlers came to Wisconsin after it had been admitted to the Union and it tells me who they are and how they came to be in Grant County. In the text it talks about how other settlers came to the area travelling by trains as fugitives of slavery to find a place they could start a new life. This was their land of opportunity, a place that people could go to start a life that was their own and not owned by someone.
             If you look at the letters in this collection these letters were often a lot of personal conversations that discussed their everyday lives and how things were going. But by reading these letters it gives the readers an in depth look at how tough it was to live in such an unsettled time. In one such letter a woman is writing to her aunt discussing her families travels and then out of nowhere she started talking about how her sister died and that she wasn’t able to enjoy the letter that was sent to her. It felt so matter of fact the way she just dropped that in there like “hey my sister died, but how’s everything with you?” It is not clear if this was an expected thing or if it was very sudden, but to me this is information that I would lead with in a letter to a family member. It just goes to show you that people had a lot of things on their plates back then, and that there wasn’t as much to keep their minds off of all the things that were going on around them.
People back then didn’t have time to spend on leisure activities or money to spend on frivolous distractions to fill time. They had to focus a large amount of their energy of how to stay alive. The questions that were on their minds were: How do we get food? Where do we get food? Is where we live a safe place to stay? How can we make money? When can we be free? These thoughts were more important than those of people of the past thirty years and would give some people perspective on the trivial problems they think they have today.
In one of the letters in this collection there is a conversation between two brothers that answered one of the questions I posed. The author of this letter started out by discussing his health and how he was felling, but shortly into the letter he mentioned the fates of a number of his family members. He tells them the days that they are to get their “papers” and become free. After he mentions their impending freedom heh talks about how they haven’t made up their mind on whether or not to come and join them in Grant County. He goes on to say that he had been telling all of those with a family to leave and head out, because it would be a better place for their family. This just goes to show what the focus of people’s lives are at this time. People are more concerned with life issues such as: freedom, health, safety and family. These things are the most important things in their life and should not be overlooked.
This is the biggest reasons that I feel that these types of letters and journals should be published in some way, be it in an article, in a book with similar writings or by itself. Letters like this can have an impact on people and maybe they will take stock their own lives. Like how people try to fill their lives with activities that for all intents and purposes don’t mean a whole lot just so that they can stay busy. Even all of the addictions in this country like: drugs, alcohol, food, sex, etc. are ways that people avoid all of the problems or adversities in their lives. Not to say that some of those things weren’t happening back then, but they are very prevalent in today’s society because of what I feel is a lack of perspective on what is important. When looking at these letters and journals a reader can see how mundane and foolish the problems of today are in comparison what these people were dealing with every day.
The years before the Civil War were not the greatest of times for African-Americans in the United States, no matter if they were a slave or had their free papers. It was a struggle for them to find their way in America once they were freed because they weren’t treated with the same dignity and respect that the white people were. African-Americans were looking for a fresh place to start a new life away from the slavery and oppression that was prevalent in the southern part of the country and portions of the north. This goes back to the letter I talked about before, how the author was telling all those that would listen to leave the place they were and go to a better place. A place that offered them a chance to start a new life with their newly gained freedom. So the ones that were able to leave the oppression of the southern colonies headed north and west to the new territories and states out there that had laws against slavery. Here they could find places that were free of slavery and not be afraid of being accused of being a slave and therefore being shipped back, so now they could finally be free. Finding these stories and letters about what was happening back then that detail what was going on during these trying times is difficult to do without having some type of documented account of the time. There are a lot of these types of stories that have fallen through the cracks and put away where they are not readily available. The Benjamin Franklin Heuston Papers are another collection of unpublished writing that have stories and letters among other things that also can give a glimpse of the past and what it was like over 160 years ago.
There are some stories that have been written and published that have similar themes within them. A couple that come to mind are the story of Olaudah Equiano in “The Interesting Narrative of the Life Olaudah Equiano” and the poems by Phillis Wheatley. These are just a couple of examples of the information that we can get from writings like this. Wheatley wrote a good number of poems that describe her situation, being a slave. Equiano wrote about his troubled life of being a slave and travelling around with different owners. Now these stories are different from those that would come out of the time around the Civil War, but reading those accounts you could get a handle on what they were going through. It would only seem to me that the same type of knowledge can be gained from the stories of slaves who travelled in search of their freedom or the troubles that African-Americans faced once they got to a safe place that they could call home. As well as the letters that went back and forth between family members detailing the ups and downs of their lives.
 These writings are the perfect way to look into the past and see what it was like for an oppressed people to finally have their freedom. But then struggle their way through life because of the pitfalls that they encountered along the way. By looking into the past we can gain a greater respect for what these people went through, like being away from their families for long stretches, all of the illnesses that people are suffering from and have no idea what they are facing. But then also realize that the problems that we face here in this time of privilege are not a big deal because we are not living our lives in fear of being slaves, or because we have the luxury of modern medicine and we can talk to our family with the push of a couple buttons. Reading these accounts have definitely helped me to empathize with the things that they went through and has given me a greater respect for what life was like. Some people say that they were born too late and are living in the wrong era, but by reading things like this I realize that I am right where I belong and don’t thing that I could have made it back then.


Works Cited
·         Heuston, Benjamin Franklin. Papers, 1849-1894. Web. 5 Dec. 2014. <http://arcat.library.wisc.edu/cgi-bin/Pwebrecon.cgi?BBID=11434>
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·         "Kentucky Civil War: African Americans: Slavery and Freedom." Kentucky Civil War: African Americans: Slavery and Freedom. Web. 5 Dec. 2014. <http://www.ket.org/civilwar/aamerican.html>.

·         Shepard, Charles. "Papers, 1850-1858." Web. 5 Dec. 2014. &lt;http://arcat.library.wisc.edu/cgi-bin/Pwebrecon.cgi?BBID=11434&gt;.

·         Warren, Kim. "Civil War on the Western Border: The Missouri-Kansas Conflict, 1854-1865." Seeking the Promised Land: African American Migrations to Kansas. Web. 5 Dec. 2014. <http://www.civilwaronthewesternborder.org/essay/seeking-promised-land-african-american-migrations-kansas>.

Monday, November 24, 2014

Illustrations of Sleepy Hollow: Taresa Miller

Taresa Miller
Professor Coronado
English 226
11 November 2014





Illustrations of Sleepy Hollow
            For years the Legend of Sleepy Hollow has populated the minds of the American people. Since the short story was first written by Washington Irving in 1817, it's held a special place in American culture. Now, in 2014 it's still a popular story where a modern TV show turns this classic tale into a supernatural/police drama on its second season. Besides this modern TV series, this short story has also been recreated into films. These TV shows and movies bank of the short story's allure and popularity, but what makes this story so popular. This story was so popular at the time that Felix O.C. Darley created a series of illustrations depicting certain events in the story. There are a series of six illustrations made by him. They show a scene of a group of children, a man and a woman sitting on a rock, a man telling a story to an older woman and a couple of children, a man and woman dancing surrounded by villagers, a man stumbling across the headless horseman, and then him fleeing from him. Each portrayal of a point in the story is elaborately etched by Darley and is a great companion to the short story. These illustrations were published in 1850 in a small book from the American Art Union. They were paired with the short story and released to all of the members of the American Art Union. These are a great piece of history, and they show just how important literature and art were to the people of the 1800s. If this piece of literature was not popular, and important there would have been no reason for Darley to create these illustrations for the American Art Union. The American Art Union also would not have had any reason to publish or pass out a book with the short story and its companion illustrations.
            One of the many books of artwork that were published by the American artwork was a book on the Illustrations of Felix Octavius Carr Darley. Darley was born in 1822 and died in 1888. He was a very popular illustrator and worked on illustrations for "works by Charles Dickens, Washington Irving, Edgar Allan Poe, Henry W. Longfellow, James Fenimore Cooper, Nathaniel Hawthorne, and many others" (Focdarley.org). Darley illustrated for many different writers, most with names we recognize today. The amount of stories he illustrated for shows his talent and popularity as an illustrator. His popularity stemmed not only from his talent though, it also emerged as a side-effect to the growing and evolving technology in the printing business. This allowed for "more publications with more illustration to be produced at an ever-decreasing cost" (Society of Illustrators). Part of the reason Darley became so popular was because of the new technologies in the printing press. This allowed for the price of copies to decrease, which allowed for both publications and illustrations to be produced more readily. The Society of Illustrators claims that this is part of the reason for Darley's growing popularity, as well as the fact that he was one of the first artists that most incoming American's had access to. Regardless of what made him popular, Darley became a bit of a celebrity and eventually "books featured Darley's name as a selling point; soon it became common practice to credit illustrators" (Society of Illustrators). The Society of Illustrators contributes the acknowledgement of illustrators today with the popularity of Darley in the 1800s. Using Darley's name as a selling point meant that enough Americans knew Darley and his illustrations to want to buy books based on Darley's name. Knowing this, it is understandable that the American Art Union wanted his work to be a part of their collections.
            The American Art Union published the illustrations by Felix O.C. Darley in 1851 in a hardcover book. The illustrations by Darley are one of many sets that were released by them as they tried to raise the popularity of art in the new country of America.
                        The American Art Union is well known today for the thirty-six engravings it                                  published based on the paintings of some of the most luminous names in                                        American art... The Association is especially important for the seminal role it                           played in stimulating American art and for spreading an awareness of this art                                    throughout the country (The Philadelphia Print Shop).
Today the American Art Union is know for a total of 36 engravings that it published in its issues. The American Art Union helped to get the country interested in its own artwork in the early years of the country's life. Out of a total of thirty-six prints Felix O.C. Darley had six of them in the issue released with the Legend of Sleepy Hollow.
                        The example of the London-Art Union in the fall of 1888 suggested to a few                                 gentlemen in New-York the possibility of doing something for art in a similar                                 manner in New-York... It was, however, finally determined that an effort should                                be made to form an association that should have for its purpose the patronage of                                    artists and the cultivation of the people, by means of a periodical exhibition of                                   pictures by good artists, ancient and modern. (Bulletin of the American Art-                                   Union).
The American Art-Union was modeled after something similar in London, because of the suggestion to some gentlemen from New York. By this suggestion, the American Art-Union formed itself, because America needed to raise awareness of their own artists. Although it was not possible to recreate this Art Union in the same way the London one operated, it was eventually determined that this type of association should exist in America. London was a large metropolis and America was a newly founded country with a much smaller group of people, who were much more spread out. It was decided that this association would have at its disposal a group of artists, and would show the American people periodical exhibits from various good artists, both young and old. By creating this Art-Union America was able to begin creating its own set of artwork and respected artists.
            As the American Art Union was looking for people to include when getting people in America interested in art, it would make sense that they wanted Darley involved. The illustrations that Darley made about The Legend of Sleepy Hollow not only show the growing art movement, but also give a modern audience a view of life from the past. The first, second, and fourth illustrations give us the best look into what life was like in the 1800s. The first illustration is of Ichabod Crane with his group of students in the school house. The children, of seemingly many different ages, surround Ichabod and they are all going about various deeds. Some are drawing, others passing apple through a window, some whisper to each other and some cry. Ichabod, who sits on a high legged stool, seems only to be interested in sharpening his quill. This illustration not only shows the state of the classroom that Ichabod is teaching, but also gives a little insight into the classrooms of the 1800s; varied and full of many different ages of children. In the second illustration Ichabod tells a story to an older woman and a group of small children. One child looks scared, one is asleep, and one listens interestingly, the woman also seems entranced by his story and although you cannot see the other man's face he leans in as if he is just as interested. This illustration shows just how good of a story teller Ichabod is, how he could draw in the people he visited. I think that the way Darley has portrayed the characters who surround Ichabod shows exactly how interested they are. I believe that this also shows one of the things that were valued, an imagination and great ability to tell stories. Because of all the abilities that Ichabod had, Darley choose this one to portray in the illustration.  The fourth illustration shows Ichabod dancing with the same woman he sat next to in the previous illustration. They are surrounded by other adults, many of whom are dancing with partners themselves. Among the guests at the part there is a man playing a violin and a man sleeping in a chair. I think that this shows what many people did for fun in the novel and in the 1800s. The young people in the illustration are much more interested in what's going on than the older ones. The fact that this illustration portrays those older members at the party, even though one is sleeping, seems to highlight the fact that this was an event not to be missed. Most of these people look to be enjoying themselves.
            Darley's third illustration shows Ichabod staring lovingly at a young woman. They sit beneath a tree, next to a lake. They don't seem to be having a conversation, but simply to be enjoying each other's company. In the background another woman leans back, watching them. She appears to be cooking something outside of a small house. In illustration five Ichabod is startled by another man on a horse. The other man is in a cloak, and doesn't appear to be phased by Ichabod. In the sixth and final illustration Ichabod flees as the headless horseman chases after him. Ichabod looks terrified and so does his horse. The horse strains against the speed, and neither of its hooves touch the ground. Although these three illustrations are just as important as the other three, they do not have as large of a connection to life in the 1800s.
            The illustrations done by Felix O.C. Darley of The Legend of Sleepy Hollow is important to history because of their ability to transport the onlooker into another era. By looking at these illustrations, we can see a little piece of the 1800s when they were done and published. On top of this, the history of the American Art Union makes us realize how important art was to the 1800s. The fact that the idea was taken from a similar thing done in London and mimicked here but changed so that it would work for a larger country, shows just how important this art was. Without this Art Union art may not have taken hold in America. Darley was a very popular artist in the 1800s and I think that his artwork has a lot of value not just because of that popularity. Darley was popular enough to get published by the American Art Union, and his work should be known to a wider group of individuals. It was important enough to be published by an organization that was interested in promoting art, and today shows just how important art was to early Americans.
           




Works Cited
Bulletin of the American Art-Union. JSTOR. 2.11 (1849-1853)
Darley, Felix O.C. "Illustrations of The Legend of Sleepy Hollow" The American Art Union. New             York. 1849.
Hester, Ray. Meet Felix Octavius Carr Darley. 1999. Web. 11 November 2014.
Philadelphia Print Shop. Updated 2013. Web. 11 November 2014.
Taraba, Fred. Felix Octavius Carr Darley. Society of Illustrators. 2001. Web. 11 November          2014.


The Life of Laura: The Relevance of Publishing the Laura Ingalls Wilder Family Correspondence




Tammy  Garza
English 226
American   Lit  to 1855
Professor   Coronado


The Life of Laura
The Relevance of Publishing the Laura Ingalls Wilder Family Correspondence

The life and times of  the Ingall's family have captured the hearts and imaginations of many generations.  Many of us know about the pioneer story from reading the Little House books or watching the television series.  There are not many venues that have  brought history alive for so many children the way Laura Ingalls Wilder's stories did. Laura Ingalls Wilder was born in Pepin Wisconsin in 1867. Her family moved throughout the midwest. Laura started writing her books, at her daughter’s request when she was in her sixties. She wrote nine books in all  about her life as a pioneer girl (discover laura website).
These letters from the family correspondence of the Ingalls Wilder should be published,  the relevance is in that it explores our history as  a country, but also for many of us it is tied to our own personal history.  I remember reading the books, dressing up as Laura for Halloween and watching the television series.  I have done the same things with my own children and seen history come alive for them as I shared part of my childhood with them.
This much beloved author and books is still relevent and widely read and studied today. Little House sites and historic museums and fairs are all over the midwest where Laura lived.  Thousands of visitors each year come to visit and explore the life of Laura Ingalls Wilder.
Laura Ingalls Wilder published her first Little House book in 1932. The series gives children an important glimpse of what pioneer life was like. It shows the struggles they faced but also shows the joys they had as well.  The books are still  extremely popular today and have spun off new series from the originally ones she wrote. The books have been around for eighty two years and they are still loved by children and grownups alike.  The television series celebrated its forty year annivesary on September 14th and it still can be seen in syndication.  The relevance of a body of literature that can inspire such a following speaks in and of itself as to why the Laura Ingall’s Wilder Family Correspondence should be published.
I also see the significance of sharing the letters to show a more realistic view of what life was like for the Ingalls family.  The Little House series is obviously a series written with children as its target audience , while it does show the hardships of frontier life it does  do it in a way that is appropriate for children.  The Ingalls Family Correspondence shows a more realistic account  of what was taking place, a less sugar coated version . In the Little House Series, we heard about Scarlet Fever but in the letters we see a vivid picture how it affects someone: “ You asked me to describe the disease Ma had, but I don't know as I can. They called it the Scarlet Dyptheria [scarlet fever]. She was of a scarlet red from head to foot and of a burning heat, and when she began to get better the skin came off all over her. She could peel it off in large pieces; all her finger nails came off and as I told you before she has not the full use of two of them yet. She suffered much. You cannot imagine nor I describe how much. “  ( Letter to Martha Quiner Carpenter, Oct. 6, 1861, The Laura Ingalls Wilder Family Correspondence). This passage shows in detail the horrors of this disease that is only mentioned in The Little House Books.
The books are still relevant to scholars today.  There was a great debate as to whether or not Mary Ingalls had become blind due to the scarlet fever as was stated in her books.  Researches studied historical documents and came to the conclusion that this was not true.  “Herein, we examine the plausibility of scarlet fever as the cause of Mary Ingalls’ blindness by systematically analyzing biographical documents, local newspapers, school registries, and epidemiologic data on blindness and infectious disease in the years when Mary and Laura Ingalls were children. We conclude that Mary’s blindness was probably caused not by scarlet fever but by viral meningoencephalitis” (Blindness in Walnut Grove: How Did Mary Ingalls Lose Her Sight?) This article was reported on by news stations, newspapers and magazines.  
The relevance of these books to readers and fans worldwide would provide a more than adequate audience for publishing of the letters from the family.  Laura Ingalls Wilder first wrote a autobiography, “Pioneer Girl” that was thought inappropriate to publish. The book was turned instead to the children’s series of books.  “The Pioneer Girl” was just released in November of 2014 by the he South Dakota Historical Society Press. This highly awaited book will arrive in book stores shorty. It has been a much publicized release. US News Today did an article on it speaking with the publisher, "In terms of scope — nothing less than the total illumination of a critical literary work that gave birth to one of the greatest and most influential classics of American literature — the project is breathtaking for us, and we hope that it will be for readers, too," said Koupal” (US News Today, Ellis).  This classic of American Literature is still relevant today as it was when the books were first published.  The interest in them as shown by the publication and excitement of this recent release has not diminished.  
The Letters are also interesting as a reference to the Little House Books. The letters bring to life characters and situations that are written about in the the series, such as Aunt Martha and Uncle Charles who lived by them in Pepin , Wisconsin in the Little House in the Big Woods.
The letters, sixty-seven of them in all covers a thirty year period which gives a snapshot of history from eyewitness points of view. I found these letters on the Recollection Wisconsin Site.  The letters are written by Aunts , Uncles and the mother of Laura Ingalls Wilder.  The letters describe hardship, war and the events that were taking place in the mid to late 1800’s. The first letter from Laura’s mother Caroline to her sister, is written on October 6, 1861, six years before Laura is born. .
The first letter from Caroline Ingalls to her sister and brother shows the hardships that the families faced.  First they are stricken by the scarlett fever, then Father Ingalls, Eliza and Peter are forced to move off their land because Father Ingalls can no longer work the land because he is too old and ill.  “Father Ingalls folks have gone up to the head waters of the Baraboo River. They started last Tuesday. They felt very bad about leaving their place and it was too bad. They were too old to be moving; but Pa did his best to save it but he could not. Peter and Eliza have gone with them” (Recollection Wisconsin, Ingalls). This letter shows a realistic view of how the family is impacted by what they face.
The historical references in the letters give personal emphasis and encounters to historical terms and situations.  The war is shown from a personal point of view, “We stayed there but a short time, when we struck tents and we marched twenty two miles south to Harpers Ferry, the place where the John Brown Tragedy was enacted. The country around Harpers Ferry is quite different country from what I expected to See, it is decidedly a hard looking place and a hard looking country around it. The armory at the Ferry has been burnt down with about half of the town, has been burnt by the Rebles who vacated that place on hearing of the aproach of our troops” (Recollection Wisconsin).  These letters give a first person account to events that happened in our history.
The Letters from the family of Laura Ingalls Wilder brings to life an important period of American History.  Like “The Little House Books” they bring relevance to a time of growth and strife in our country.   These letters also give more insight into a much beloved author’s life and personal history.  These letters would have mass appeal to generations of fans, who fell in love with the little pioneer girl. Laura Ingalls Wilder.













Works Cited
Wilder. "Laura Ingalls Wilder Family Correspondence." Laura Ingalls Wilder Family Correspondence (2011): 1-67. Recollection Wisconsin. Web. 16 Sept. 2014. <http://content.wisconsinhistory.org/cdm/ref/collection/quiner/id/46269>.
Allexan, Sarah S., BA, Carrie L. Byington, MD, Jerome I. Finkelstein, MD, and Beth A. Tarini, MD. "Blindness in Walnut Grove: How Did Mary Ingalls Lose Her Sight?" Blindness in Walnut Grove: How Did Mary Ingalls Lose Her Sight? N.p., 4 Feb. 2013. Web. 24 Nov. 2014.
"Laura Ingalls Wilder's Autobiography Reveals the Rough Truth." NY Daily News. N.p., n.d. Web. 24 Nov. 2014.




Laura Lathrop Letters and Chief White Cloud

Audreyanna Pendrick
Dr. Coronado
English 226                                                                                  
25 November 2014
Laura Lathrop Letters, Trivialities, and Chief White Cloud
Working Thesis: Serious topics such as war and race relations were just as trivialized in communication from the 1860s as they were today. Despite this, such trivialization acts as the only record of some important historical events and perspectives.
Context: Civil War, Reconstruction, land wars, other chiefs’ speeches and perceptions of them, Northwestern Fair to raise funds for Union troops
-insert letters about the Northwestern Fair as a social event, not mentioned as a way to raise money for the Union troops.
-insert letters from Laura’s brothers in the Civil War and her friend’s trivial mentioning of the war.
Of these trivialities, one in particular may act as the only evidence of a Native American chief’s speech:
“White Cloud (an Indian chief) made an excellent speech. He was the first Indian I have ever seen and the only one” (Hennig). This mentioning of White Cloud speaking in Chattanooga was transcribed with no date, and similarly outside record of it is seemingly non-existent. The letter was certainly to Laura Lathrop, somewhere between 1857 and 1865, but no other information represents the nature of the speech or its context.

Chief White Cloud was a chief of the Chippewas, and one record of his thoughts on the state of his nation and the United States is included in Report of the Condition of the Chippewas of Minnesota. Its inclusion though was not introduced or explained, but instead was titled “Exhibit A.” The only way to know it is actually from White Cloud is his own identification at the end of his passage where he says, “as for myself, as I look through that window, I see those white clouds; I am named White Cloud, and I pray God to keep my heart as white as those clouds to help those under me” (29). This record is hard to validate, and even harder to understand as a speech, writing, or translation of either from White Cloud.
Earlier speech: Chief Seattle 1854 (elegiac speech for the Suquamish Nation)
Jason Edward Black talks about the subversion of original Native American oratories, and their legitimacy.
“The way fragmented discourse circulates says much about a public that interprets it and the idelologies that underscore that particular public’s civic imaginary. This imaginary in the United States is partly constituted by neocolonial renderings of American Indian histories, presents, and futures” (636).
“one thing is certain—context plays a role in the ways that the public renders judgments of discourse… Texts must be read in the temporally closest and most culturally plausible contexts that the scraps of fragments allow” (637).
Having only a scrap of White Cloud’s speech and a questionable passage from him, he is absently rendered. But, at least his words were not manipulated like Chief Seattle.
Later speech: Chief Joseph 1877 (Nez Perce War surrender, land calims, Nimiipuu)
 Thomas H. Guthire writes about how questionable and unreliable many accounts of Native American speeches are, focusing on their native languages and perceptions of them.
“I argue that the production and interpretation of Indian speech facilitated political subjugation by figuring Indians as particular kinds of subjects and positioning them in a broader narrative about the West” (509).
The larger Western narrative did not exclude White Cloud in Report of the Condition of the Chippewas of Minnesota, but it did not properly explain nor justify him either.
“He more comprehensively addresses the range of Euro-American attitudes toward Indians, especially the belief that Indians were savages who had to be subdued and assimilated, while I analyze how a seemingly contradictory discourse of Indian eloquence had much the same effect” (511).
p. 515: unreliable records, translations, interpreters, etc
p.523: Indian eloquence explained
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Our chiefs would talk and tell you the right of their life. They were not afraid to talk because they went outward. They earned what they said by going out into the world. They were not afraid to talk because they learned through experience what they were saying. When they'd go out into the world they'd understand the world, understand the people, understand the hardship others went through, and that would give them the ability to talk. Then too, they lived the life they talked about. (Roufs)
Works Cited
Black, Jason Edward. “Native Authenticity, Rhetorical Circulation, and Neocolonial Decay: The      Case of Chief Seattle's Controversial Speech.” Rhetoric & Public Affairs 15.4 (2012):     635-645. Communication & Mass Media Complete. Web. 21 Nov. 2014.
Guthrie, Thomas H. “Good Words: Chief Joseph and the Production of Indian Speech(es), Texts,   and Subjects.” Ethnohistory 54.3 (2007): 509-546. America: History & Life. Web. 21      Nov. 2014.
Hennig, Doug. Dear Sister Laura. 1987. TS. University of Wisconsin-Parkside Area Research             Center, Kenosha.
“Main Building of the Great North Western Sanitary Fair, Chicago.” The Civil War in Art. The     Chicago History Museum. Web. 23 Nov. 2014.
Roufs, Timothy G. “When Everybody Called Me Gah-bay-bi-nayss, “Forever-Flying-Bird”: An             Ethnographic Biography of Paul Peter Buffalo.” University of Minnesota Duluth. 2014.             Web. 21 Nov. 2014.

Ruffee, Charles A. Report of the Condition of the Chippewas of Minnesota. Saint Paul: Pioneer             Print, 1875. 1-29. Print.


Laura Lathrop Letters








Chief White Cloud

http://www.d.umn.edu/cla/faculty/troufs/Buffalo/PB05.html#title

http://www.d.umn.edu/cla/faculty/troufs/Buffalo/PB05.html#title